Here’s a simple truth to help you decide whether this one’s for you: this will not be your favourite Primal Scream album, but ...

Welcome to Day 11 of musicOMH’s premature Advent calendar, giving you a month’s notice of classical/opera events happening ...

The Good Kind is Our Girl’s second album, following up their debut album from 2018, Stranger Today. Like that debut, The Good ...

There was more than a touch of the arcane, the murky past of pre-Christian Europe, about Sunday evening’s Barbican concert.

Jacques Offenbach’s The Tales of Hoffmann has a reputation for being an unwieldy, overblown work, but Damiano Michieletto’s ...

From the beginning of her time with Skint at the turn of the decade, Lou Hayter’s music had a slickness to it which complemented her laidback delivery nicely. Since then she’s developed more creative ...

The Philarmonia’s Nordic Sandscapes series continues with plenty of added drama under Santtu-Matias Rouvali’s inspired baton.

The curtain then rises slightly to reveal the legs of all the other cast members engaging in a form of ‘stamping waltz’. This ...

This outstanding concert proved once again that Karina Canellakis’ tenure at the LPO is one of the capital’s most exciting ...

First Sounds is the appropriately named debut album from three of the most respected composers and musicians in Canada.

It’s been six years since Soft Play, formerly Slaves, last went on tour. Yet, on Halloween night in Brixton, closing out their comeback tour, it’s as if they never went away. The crowd is electric, ...

Nothing ‘made me’ come up here, I live here!) Leeds Lieder Festival is the absolute opposite – its atmosphere is warm and ...